Alberto durero melancolia i

It is likely that the "I" refers to the first of the three types of melancholia defined by the German humanist writer Cornelius Agrippa. In this type, Melencholia Imaginativa, which he held artists to be subject to, 'imagination' predominates over 'mind' or 'reason'. One interpretation suggests the image references the depressive or melancholy state and accordingly explains various elements of the picture.

Among the most conspicuous are: An autobiographical interpretation of Melencolia I has been suggested by several historians. Melancholy is a lyric confession, the self-conscious introspection of the Renaissance artist, unprecedented in northern art. Context [ edit ]. Description [ edit ]. Interpretations [ edit ]. Iconography [ edit ]. Beyond allegory [ edit ].

Legacy [ edit ]. Lucas Cranach the Elder 's painting Melancholia Colmar version.

Alberto durero melancolia i: Melencolia I is a depiction

Hans Sebald Beham 's Melancholia Jost Amman 's Melancholia Jan Wierix 's copy. The Woman with the Spider's Web or Melancholy. Woodcut after an drawing by Caspar David Friedrich [ 68 ]. Friedrich's pre self-portrait [ 68 ]. Semiramis and Ara by Vardges Sureniants. References [ edit ]. For the first state, see the version from the collection of Sir Thomas Barlowwhich differs in the number nine in the magic square.

Concentric: Literary and Cultural Studies. London: Medici Society. The quote is commonly cited in later literature e. Studies in the History of Art. JSTOR British Museum. Archived from the original on 8 November Retrieved 12 June University of Chicago Press. ISBN Metropolitan Museum of Art. Budapest: Corvina. Alchemical Mercury: A Theory of Ambivalence.

Stanford University Press. The Art Bulletin. Artibus et Historiae. Architecture and the Unconscious. Pi in the Sky 11 : 10— Wolfram MathWorld. Retrieved 26 April Retrieved 21 April Historia Mathematica.

Alberto durero melancolia i: Melencolia I is a large

The Mathematical Gazette. Melencolia is a flagship picture for Renaissance melancholy, a temperament that was increasingly tied to creativity and the construction of the artistic personality. During this period, Melancholy was divided up into three types; the Roman number I in this print likely refers to the category associated with artists. While melancholy was seen purely as illness in the Middle Ages, the result of too much black bile, Renaissance thinkers began to see it as a badge of honor—the mark and burden of genius.

This phrase, emphasizing fate and duty, perfectly expresses the late Gothic mentality of fulfilling divine and parental obligations rather than seeking fulfillment as an individual person. Italian artists were conceded expressive identities and rewarded with status and regard as intellectuals, while in Germany artists often remained respectable but anonymous artisans.

The four include choleric quick to angerphlegmatic calmsanguine cheerfuland melancholy. Melancholy could drive one mad, yet it also produced the sensitivity required for creativity. He must have had access to treatises by German author Cornelius Agrippa. Agrippa, who explored the realm of esoteric knowledge including astrology, the occult, and magicdivided melancholy into three levels.

Level One, the lowest, governed the imagination and pertained to artists. Level Two controlled the reason of scientists and physicians.

Alberto durero melancolia i: Title: Melencolia I. Artist: Albrecht

Level Three governed the spirit or intuitive thought of theologians and certainly Agrippa himself. Ficino further related melancholy to Saturn—both the planet and the god. Even as a young artist he drew a remarkably expressive self-portrait in which his mood is evident. Though the dating is uncertain, another drawing is often placed around — In the third week after Easter I was seized by a hot fever, great weakness, nausea, and headache.

And before, when I was in Zeeland, a strange sickness came over me, such as I have never heard of from any man, and I still have this sickness. If you have comments or questions about this object record, please complete and submit this form.

Alberto durero melancolia i: Melencolia I is a large

The Museum looks forward to receiving your comments. Visiting Sleeping Beauties: Reawakening Fashion? Public Domain. Open Access. Marking: John Pierpont Morgan Lugt The Metropolitan Museum of Art. New York. Koehler 70ii; Schoch et al. The Metropolitan Museum of Art, vol. Learn more about this artwork. Lauder Collection and Masterpieces of the Met.