Nike schroeder biography

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Nike schroeder biography: Nike Schroeder. Born. Hamburg, Germany.

His brilliant canvases are full of feeling, where love can be felt through all the senses. Through his skillful brushwork, and drawing from his life experiences, he creates images where the viewer feels he has truly become one with the subject. Doe's paintings are sure to be sought by the discriminating collector. If you have any questions about submitting biographies, please send them to registrar askart.

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Nike schroeder biography: Meet Nike Schröeder! She was born

Nike Schroeder is known for Site-specific installation sculpture, needlework portraits. Sales Stats. All Rights Reserved. Digital copying of these images and content strictly prohibited; violators will be subject to the law including the Digital Millennium Copyright Act. Facts about Nike Schroeder. Biographies Museums Keywords. An image of Nike Schroeder.

Nike Schroeder is a Berlin-based artist who creates embroidered illustrations including needlework portraits of friends. In her 'Fleshideal' series, Schroeder examines the idealized beauty of the female body in a diptych of life sized nude women intertwined with one another. Both carefully composed and seemingly unfinished, Schroeder leaves loose ends of thread to hang out of her pieces like possible accidents.

What was your inspiration? My abstract thread work is usually a translation of an emotional reaction to something. This could either be a feeling evoked by nature, music or the emotional visualization of a story. My interest in female identity stems from my own observations of working as a woman and the questions it provokes about womanhood in our world today.

Nike schroeder biography: A multi-disciplinary contemporary fibre

So I chose to portray the qualities of sensuality, nurturing, inclusivity, motherhood and power in the over-sized portraits of chickens in the exhibition. They inspire me with their egg-laying and the natural processes associated with that. The sculptures that I also included nike schroeder biography multiple breasts made of stuffed and dyed canvas joined together and suspended from the ceiling in an orb-like form, with nipples protruding in every direction.

I wanted to communicate the comfort and security associated with this and so I linked it to the chickens and the strength and power of the female gender with all its vulnerabilities and expectations. I love the way the hanging threads move in the air and I was able to correspond the colors with those in the paintings of my chickens to further deepen the connection with fertility and life cycles.

I have been working with this method for almost a decade. I use rayon thread because, in my experience, it has smoother properties than cotton or silk and works better with gravity, allowing it to fall and move freely. It also has a beautiful shine. I come from a painting background and during my studies in Germany for an Art Therapy BA I started to make collages with thread.

Initially, I used regular cotton thread to outline my figurative work. The more I started introducing detail into the patterns in clothes and started stitching repetitive geometrics, the more I became absorbed with these aspects. The threads were more condensed in those areas and, over time, I eliminated the figurative aspects. By the time I came to do my Sequence piece, my work in this particular series had become purely abstract.

This piece happened really naturally as I researched the general topics of this show. Each of those pieces are stand-alone works with a beginning and an end. The Sequence piece picks up the idea of an eternal life cycle and repeats its color sequence endlessly across multiple panels; it is ever extendable. The idea for this came to me during the general research of this show.

For the past 15 years, I have primarily worked with textiles as a medium. The preparation of each piece is initially focusing in on the color, the size, and the emotion I want to transport. By stripping the idea of the purpose of stitches being to hold something together, but letting the excess hanging thread become the actual piece of art, this abstract body of work gained a contemporary aspect.

All my different bodies of work tell a different story. I do like to think about my work as an continuous search for beauty. The goal is to capture and immortalize moments of beauty that are often overlooked. I hope my work evokes the association of something simply beautiful, light and ethereal. I hope for the work to create a quiet and calm space, where thoughts can be forgotten and peaceful energy can be conjured.

Nike schroeder biography: Textile artist Nike Schroeder using mixed

I am very humbled when people pause and get lost in the colors and the movement. So I guess the message is, try to get lost, take a breath or two and let go What is your nike schroeder biography knot or technique? How do you define yourself or your work? It is hard for me to do that, so thank God there are critics that are way better at that.

As for an artist statement, there is this wonderful article that Shana Nys Dambrot wrote and I really could not say it any better:. Who is a design icon that you look up to? I will say that a design icon I personally know is Gere Kavanaughas she is my 90 year old neighbor. I look at her as a pioneer in curious design theory, playful color combinations and an adventurer in material combinations.

She still walks around the block twice a day, still designs! She is incredibly well connected and well read and it is such a gift to learn about her career and ways she had to push as a designer woman in the 60s. Check out our vast catalog of online classes. Her …. Instead of by needle, these gradient staccato color-fields are composed by hanging multihued rayon threads from custom-made canvas panels.

The rayon gossamer accrues in her bunchings enough weight to engage gravity and thus be held in vertical sway, affected not overmuch but quite poetically by the slightest breeze. Slight variations in the position of these anchoring tiers organize straight lines and chevrons, upwards and inverted, that set, like the armature of a loom, the colored lines upon their vectors.

The undyed portions of thread, the empty space between tendrils, and the white wall behind all conspire in a not-quite-illusion to fulfill the boundaries of a conventional painted composition. The effect conveys simultaneously the sense of being created and the ruin of unraveling — of being, if you will, drawn and erased — by the same gesture.