Tilleke schwarz biography of william

Tilleke schwarz biography of william: Tilleke Schwarz is an

And are still used in nowadays fashion and design. In the work below you see in the left corner under, a cross-stitch motive from a sampler from Vierlanden, Germany. In some works of Tilleke she takes it one step further. And uses historical folk motifs in a more innovative way, by mixing it with motives from our current culture. The photo below shows an example of it: the cartoon figure pink panter is mixed with historical European folk motifs.

Besides written texts, Tilleke sometimes uses fragments of conversations she receives around her. Once she heard someone say the new potatoes were brilliant this year. She used it in a work and it became the title of her latest book.

Tilleke schwarz biography of william: William Alfred Tilleke. William Alfred

When the work is almost finished, she gives extra attention to the composition. If needed, she will undo a part of the work. The background fabric she uses is linen, 22 threads. She dyes it herself, mostly in bright colors, she usually uses Batik and Shibori dyes. Tilleke has a great collection of threads, with over colors. She uses all kinds of threads, like cotton, linen, silk and metal, she prefers thin threads to work with.

Not really complete stories, with a beginning, a storyline, and an end. On the contrary, the narrative structures are used as a form of communication with the viewer. The viewer may assemble the stories and to produce chronological and causal structures. It can become a kind of play between the viewer and Tilleke. The sense of humour is typical for her Jewish background: a mixture of a laugh and a tear.

I like the Pop Art movement, graffiti and the Fluxus Movement and I am interested in contemporary art after Sometimes an inspiring work stays on my mind for many years, like the project Nerhagan from by Finn Aage Andersen and Wenche Kvalstad Eckhoff from Norway. They preserved an old farm by protecting the outside with old and new pieces of wood and inside they covered the floor with potatoes.

When the potatoes shot out, the floor had a beautiful 'carpet' of purple sprouts. Another example is a video by Snezana Skoko from Serbia It shows a performance of a group of woman in a cellar in Belgrade tearing pieces of cloth apart. It was during their war. I did not really rationally choose textiles, but just love the material, the feel as well as the looks.

I did not discover something. I have always made drawings and embroidery, from early childhood on. This was not a planned or logical process, so it is hard to answer this question. However, I had an art training and did a lot of model drawing and that helped for my sense of composition.

Tilleke schwarz biography of william: Tilleke Schwarz | 62

My mother deserves the most credit, as she was an inspiring role model. She always used to stitch tablecloths and pillowcases and she always supported what I was creating. I do not have many specific any thoughts on this matter, as I do not consider fibre artists very different from any other artist. All artists struggle for an income and for recognition.

Many fibre artists are females and like all female artists, they also have difficulties in combining their art with earning an income and taking care of their kids. When I combined my stitching with a paid job policymaker for the Dutch government I only made one piece a year. Now I am on an early pension and I can produce more usually two or three in a year.

So I am proud to inform you that I doubled my production. I do have a studio at home and a larger one in a separate building nearby. The larger studio is for drawing and packing and storing my work. I can also teach workshops over there. Ask for an updated c. All my work relates basically to one theme: the oddities of life. I include anything that moves, amazes or intrigues me.

Daily life, mass media, traditional samplers and cats are major sources of inspiration. The result is a mixture of content, graphic quality and fooling around.